Month: 2014年5月

the performance and story borad

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(the picture from Maia)

in the preformance first of all we decide to pull the fabric come out, but the wind is too strong, and will make the fabric tied together, then we add 6 handle on each caner, and we ask other group people helped us to pull it. it works more good.

 

then we decide to make audience attention first, we walk around the volocan, and play the wire people’s actiong, we are walking and watching, then choice what we like. and do the same action like the little people.

we say the words together, and pull the fabric out.

then we say the words with action,

pelting rain
wild shouts of the mob
the delicious odor of destruction
in the end, we say ‘A DENSE BLACK MASS OF HUMAN BEINGS MORE LIKE WILD BEASTS SHRIEKING AND HOWLING’. and join like a group, like the people becomes a monster, and we screaming and run off form the space.
for shock the audience.

the words power

‘A DENSE BLACK MASS OF HUMAN BEINGS MORE LIKE WILD BEASTS SHRIEKING AND HOWLING’

‘A DELICIOUS ORDER OF DESTRUCTION’

‘WILD SHOUT THE MUB‘

the 18s Typeface. we print the words on the fabric, first idea is to let the audience seeing, but it not working when we doing it outside, and audience are shy, wont come close.

so we decide to say the word aloudly.

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PEOPLE WIRE SCULPTURE | AYAKA ITO + RANDY CHURCH (Research)

 

People Wire sculpture is a collaboration between graphic designer and illustrator Ayaka Ito and programmer Randy Church that features, to put it simply, snapshots of shredded people. Combining each of their respective creative expertises along with a shared admiration for Rachel Ducker’s tautly wired sculptures and the defiant Flash paintings of interactive designer Erik Natzke, the two discovered a way to create an interface that integrates 3D line work into photographic compositions. Using applications like Flash and Photoshop, Ito and Church reconfigure images into interwoven portraits where the subject becomes part of the environment.ImageImageImageImageImageImage (ImageImagerImageImage

视频

infoerno

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Crowds of people for their sins committed in suffering

the idea of the people been group and the black wire people, means people’s sin becomes a group to be a evil and the monster, they burn the castle like a baster. then Devil in turn devoured them，like the magma came back and killing people.

inferno(dante)

Gustave Doré

Gustave Doré’s (1832-1883) illustrations and Dante’s Divine Comedy have become so intimately connected that even today, nearly 150 years after their initial publication, the artist’s rendering of the poet’s text still determines our vision of the Commedia. Planned by Doré as early as 1855, the Dante illustrations were the first in a series he referred to as the “chefs-d’oeuvre de la littérature.” In addition to Dante, Doré’s list of illustrated great works included Homer, Ossian, Byron, Goethe, Racine, and Corneille. The placement of Dante’s Commedia at the top of this list reflects the poet’s popularity within mainstream French culture by the 1850s. While France’s initial interest in Dante was confined to the episodes of Paolo and Francesca (Inf.5) and Ugolino (Inf.33), the 19th century saw an expansion of interest in Dante’s work which resulted in numerous translations of the Commedia into French, critical studies,newspapers, and specialized journals, and over 200 works of painting and sculpture between 1800-1930. Doré’s choice of Dante’sInferno as the first of his proposed series of illustrated masterpieces of literature reflects the extent to which Dante had attained popular appeal in France by the 1860s.

The nine circles of Hell

 

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